Cork’s God Alone return with The Beep Test, their electrifying new album released via Prosthetic Records – and from the very first moments, it’s clear they’re not holding back. Bursting with frenetic energy and addictive chaos, opener “The Beep Test” is a perfect statement of intent: angular grooves, searing guitar solos, and a kaleidoscope of beeps, bops, and synths collide in glorious fashion. Once again, the Cork quintet prove why they’re one of Ireland’s most exciting acts, brimming with audacious ideas and exceptional musicianship.
“Sir Laplage” begins with delicate percussion and looping guitar motifs, slowly luring you in before transforming into a darkly grooving, disco-tinged monster – a surprising and thrilling evolution that shows a fresh spark in the God Alone camp.
Written after a chaotic night out in Nottingham, “Tony Gawk” wastes no time unleashing that same chaos in musical form. It’s a sharp left turn – snarling vocals, relentless drumming, and duelling guitars create a whirlwind of sound that’s as unpredictable as it is exhilarating. God Alone glide between disco, math rock, and black metal with effortless ease, never losing your attention for a second.
Previously released single “Pink Himalayan” remains an infectious standout, while “Hold Tight” offers a glimpse of the band’s more vulnerable side – fragile gang vocals and emotional depth reminiscent of an early incarnation of Vessels in parts yet unmistakably stamped with the God Alone signature sound.
“Bluesine” leans deep into math rock territory, with hypnotic guitar lines and a tight, driving performance from drummer Jack O’Hanlon. Imagine Don Caballero meeting Adebisi Shank in a fever dream, before the band detour into a brief, dazzling prog odyssey. “Rinser”, by contrast, introduces heavier electronic textures, revealing a group confidently expanding their sound and carving out their own identity within the alternative landscape.
Ever-elusive to categorize, The Beep Test truly has something for everyone willing to give it a fair listen. “Rubber Hands” gallops forward with unmistakable Talking Heads flair – an undeniable banger destined to light up live sets – while closer “Yupasaid” wraps things up with catchy choruses, frenetic percussion, and a surprisingly introspective finish.
Once again, God Alone demonstrate astonishing skill and imagination for a band still early in their journey. The Beep Test is bold, brilliant, and proof that these Cork heroes are just getting started. Strap in and enjoy it.